The Concept of Polymediality
Elia, Marios Joannou
Produktnummer:
18c79414c4f9e643798694e60979a3060d
| Autor: | Elia, Marios Joannou |
|---|---|
| Themengebiete: | Contemporary Music Instrumental Music Instrumentalmusik Marios Joannou Elia Multimedia Music and Literature Musik Musik des 21. Jahrhunderts Musik und Literatur Musikästhetik New Music and Aesthetics in the 21st Century Oper Opera Polyaesthetics Polymediality Polymedialität Polyästhetik Zeitgenössische Musik |
| Veröffentlichungsdatum: | 12.09.2017 |
| EAN: | 9783959831000 |
| Sprache: | Englisch |
| Seitenzahl: | 116 |
| Produktart: | Kartoniert / Broschiert |
| Verlag: | Schott Music |
| Untertitel: | Literary Sources as an Inherent Polymedial Element of Music |
Produktinformationen "The Concept of Polymediality"
During the composition of "Strophes" (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera "Die Jagd" (2008) and the orchestral piece "Akanthai" (2009), this book illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality.
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