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The BBC, The 'War on Terror' and the Discursive Construction of Terrorism

139,09 €*

Sofort verfügbar, Lieferzeit: 1-3 Tage

Produktnummer: 184697c44bc3e5443396d3a745a18f9c8e
Autor: Ahmad, Jared
Themengebiete: 'war on terror' BBC 'News at Ten' Michel Foucault al-Qaeda discourse dispositif media-state-terrorism relationship representation subject positioning truth regime
Veröffentlichungsdatum: 24.01.2019
EAN: 9783030095338
Sprache: Englisch
Seitenzahl: 226
Produktart: Kartoniert / Broschiert
Verlag: Springer International Publishing
Untertitel: Representing al-Qaeda
Produktinformationen "The BBC, The 'War on Terror' and the Discursive Construction of Terrorism"
In the years since the September 11th 2001 attacks, the al-Qaeda phenomenon has become one of the most written about, yet crucially misunderstood, threats of the 21st century. But despite the sheer volume of literature produced during the ‘war on terror’ period, few studies have sought to consider the way this entity has been represented within the news media.  The BBC, the War on Terror and the Discursive Construction of Al-Qaeda addresses this significant gap in knowledge by providing an original and much needed assessment of the various strategies used to depict ‘al-Qaeda’, and thus make it meaningful for British television audiences. Drawing on the work of French philosopher Michel Foucault, and focusing on Britain’s most watched and trusted news programme, the BBC’s flagship ‘News at Ten’ bulletin, the book provides insight into both the visual and verbal nature of these representations and the way they have shifted over the course of a ten-year period, whilealso shedding light upon the broader political and social consequences of the BBC’s portrayals. In doing so, the book not only helps to develop a deeper understanding of the complexity of the BBC’s representations, and their various shifts and transformations, but also details the process through which ‘al-Qaeda’ has been pieced together from a range of cultural parts. And how, ultimately, the dominant mode of representation used to portray this entity is one that closely resembles Britain’s own, diverse multicultural ‘self’.
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