Pelléas et Mélisande

A mysteroius childlike woman, a murder by jealousy, an orphan: Debussy’s Pelléas et Méllisande, his only completed opera, is full of magical, cryptical and deeply symbolic moments. With this work Debussy added quite literally a new dimension to the 1893 stage play of the same name by Belgian playwriter and poet, Maurice Maeterlinck, who was to receive the Nobel Prize for Literature in 1911. Rodney Gilfry, a leading American opera baritone whos vocal excellence has been repeatedly extolled by many leading music critics, is Pelléas. Praised by the San Francisco Chronicle for his “rich, rolling baritone with a superb upper range,” as well as his “vivid stage presence,” Rodney Gilfry has established himself as a most compelling musician on the world’s operatic stages. By his side Isabel Rey, internationally recognised for her exquisite vocal technique and her sensitive acting skills, is Mélisande. Due to her crystal-clear soprano and the winterly stage setting the cold dream-world of the subconscious emerges to the audience. Because of the fabulous soloist and a distinguished cast this opera promises outstanding listening pleasure. Under Franz Welser-Möst’s fabulous conducting this production of the Zurich Opera House is setting musical standards. Welser- Möst is ecxeptionally talented and internationally known as one of the outstanding personalities in the field of classical music. In conjunction with the director Sven-Eric Bechtolf, he has developed into one of the leading teams in contemporary music theater. Die Aufführung aus dem Zürcher Opernhaus präsentiert Claude Debussy’s einzige vollendete Oper “Pelléas et Mélisande”. Seit 1892 beschäftigte sich Debussy mit der Vollendung seines Werks. Immer wieder durch Zweifel unterbrochen, konnte er die Oper jedoch nach 10 Jahren fertig stellen. Die Premiere in Paris leitete schließlich das neue Opernzeitalter des 20. Jahrhunderts ein. Dirigent Franz Welser-Möst und Regisseur Sven-Eric Bechtolf beweisen sich in der vorliegenden Produktion erneut als eingespieltes Team. Schließlich arbeiten sie hier bereits zum fünften Mal zusammen. Bechtolf verpflichtete einige herausragende Sänger, in den Titelpartien Rodney Gilfry (Pelléas) und Isabel Rey (Mélisande), sowie Cornelia Kallisch (Geneviève) oder László Polgár (Arkel). Für das Bühnenbild zeichnet Rolf Glittenberg verantwortlich.