Marianne Moore - That Harp You Play So Well

Marianne Moore - That Harp You Play So Well Forgotten Poets #23 / forgottenpoets.substack.com 'That Harp You Play So Well' [90 pages] brings together a selection of poems by New York poet, Marianne Moore, including the entire long poem sequence 'Marriage' (1923), and a generous selection of Moore's other verses (originally published 1921-1924), as well as the essay 'New Verse Since 1912' (1926); with illustrations by Pamela Bianco. Moore was a revolutionary poet, working in the grey space between 'free' and 'rhymed' verse, and a significant poet of the 'new verse' movement of the 1920s. . . . . . . . . . -: TO A SNAIL :- If "compression is the first grace of style," you have it. Contractility is a virtue as modesty is a virtue. It is not the acquisition of any one thing that is able to adorn, or the incidental quality that occurs as a concomitant of something well said, that we value in style, but the principle that is hid: in the absence of feet, "a method of conclusions"; "a knowledge of principles," in the curious phenomenon of your occipital horn. . . . . . . . . . -: APROPOS OF MICE :- Come in, Rat, and eat with me; One must occasionally- If one would rate the rat at his true worth- Practise catholicity. Cheeseparings and a porkrind Stock my house-good of their kind But were they not, you would oblige me? Is Plenty, multiplicity? . . . . . . . . . The Forgotten Poets Newsletter presents: new collections of out-of-print and obscure poetry, with a focus on compressed & fragmented 'free' and 'new' verse from the late-1800s & early-1900s, & the early history of English-language tanka & haiku. Verses are carefully selected & spaciously laid-out, adorned with illustrations & ornaments from the books & magazines they originally appeared in.