Critical Irony, Renewed

Irony is a pervasive quality of human life, though its creative, comic potential is often overlooked. Traditionally, it has been cast in a subversive role, as the tool of the detached critic or sceptic. In Critical Irony, Renewed, Samuel Curkpatrick offers a fresh take, showing how irony can transform negativity to inspire imagination, hope and ethical action. Drawing on the work of literary theorist Terry Eagleton, this book explores the potential for irony to renew social and political imagination, while retaining a clear-eyed view of human fragility and limitation. Curkpatrick examines Eagleton’s writings alongside the comic tonalities of Christian parables, revealing how irony can function as a means of saying by unsaying – a dynamic and paradoxical form of critical perspective that enriches human creativity, ethical engagement and cultural dialogue. Critical Irony, Renewed demonstrates that irony, far from undermining identity, faith and culture, opens new possibilities for understanding and transforming our world. A compelling exploration for scholars and general readers alike, this work redefines irony’s role in literature, culture, philosophy and theology, offering a glimpse of how we might think and act differently amid the very contradictions of human experience. Dr Samuel Curkpatrick is a McKenzie Postdoctoral Fellow in the Faculty of Fine Arts and Music, the University of Melbourne. He specialises in Australian Indigenous music, and philosophical issues of language, epistemology and religion. His other books include Singing Bones: Ancestral Creative and Collaboration (Sydney University Press, 2020) and Indigenous Knowledge: Australian Perspectives (ed. Langton, Corn and Curkpatrick, Melbourne University Press, 2024). Oh, the irony of thinking one knows what irony is when irony may be something else altogether. To read this remarkable book is to find oneself surprised by a very different sense of irony – one that arouses as much pathos as humour, as much faith as doubt, as much intimacy as alienation.    -Devorah Baum, Professor of English Literature, University of Southampton